Friday, December 9, 2011

Panjaa (2011) Telugu Movie Review

Movie: Panjaa
My Rating: 2.5/5
Banner: Arka Mediaworks, Sanghamitra Disciplines Productions
Cinematographer: PS Vinod
Music: Yuvan Shankar Raja
Editing: Sreekar Prasad
Art: Sunil Babu
Screenplay: Rahul Koda
Dialogues: Ravi Abburi
Producer: Neelima, Shobhu, Nagesh Muntha, Prasad Devineni
Story & Direction: Vishnu Vardhan
Cast: Pawan Kalyan, Anjali Lavania, Debbie Linda Dias, Shesh Adavi, Jackie Shroff, Ali, Tanikella Bharani, Atul Kulkarni, Brahmanandam etc..
Release Date: 9th Dec 2011

Review

Story

Jai (Pawan Kalyan) is a yesman to a mobster Bhagawan (Jackie Shroff). Separately Jai operates a room where he gets near to Sandhya (Sarah). Chotu (Ali) is his subordinate at the room. Bhagawan will have a competing mobster Kulkarni (Atul Kulkarni).

The issue gets there by means of Munna ( Sesh), the son of Bhagawan. Munna is super susceptible and unusual in emotional baggage. He eliminates individuals without any working out. In the procedure Munna eliminates Janvi (Anjali), who admires Jai. Jai, despite a guarantee to Bhagwan, eliminates Munna. Thus the challenge begins between Jai and Bhagawan. Relax should be witnessed on screen.

Artists Performance:

Pawan Kalyan under performed as opposed to his previously videos. Although he appeared fashionable, vulnerable tale and narration never draw out his energy.

Anjali Lavania is hot and attractive but not a experience to be valued for Telugu audience’s sensibilities.

Sarah is just ok and her outfits are bad.

Jackie Shroff is going senile with take totes under his experience, but is acceptable for the part designated.

Tanikella Bharani got a extended part this some time to that's prominent. Subbaraju is up to the part and Brahmanandam was not used effectively.

The significant entertainer who warrants excellent commendations is Sesh who previously came with the film Seo. He made the vicious oversensitive part with entire sentence.

Atul Kulkarni and Sampath are very skilled artistes but not used effectively.

Ali's existence couldn't add any value for the film or for himself.

Music and qualifications ranking didn't have energy. Cinematography is excellent while tale, script and route are far from the open amounts of focused visitors.

Highlights:
* Pawan Kalyan

Drawbacks:
* Story
* Screenplay
* Direction
* Music
* Background Score
* Dialogues

Final Analysis:

The significant decrease down in the film is Pawan's personality style. His getup and being a yesman to a mobster aren't in kilter with his room enterprise.

The significant clash factor is losing in the film and the manager never narrate well.

The heroines are big without and not at all in gel with the sensibilities of indigenous visitors. The speed of the film also goes slowly and qualifications ranking ruined it further. Comedy quotient is very vulnerable in the film and it is challenging to get 1 look through out for a typical visitors. Ali was given a absolutely wrong and weakly created part and hence he got thrown away. Brahmanandam’s Paparayudu humor is also not up to the level.

The under engage in and serious portrayal of Pawan goes crazy in second 50 % to an level of Brahmanandam reaching on his buttocks with lathie. Viewers fall short to get go to what the manager is having difficulties to exhibit.

First 50 % is morose and second 50 % is sentiment overdose. On a whole, Panjaa visitors horribly on the objectives of visitors.

There were no total entire music in the film except two. Relax of all was bit statistics. This has absolutely gone away from the flavor of Telugu visitors.

The unexpected element is that the most well-known 'Panjaa......Panjaa' headline tune was placed at the end brands. This is one of the big problems that the manufacturers did. Viewers have been awaiting that tune and pissed off looking at that at the end!!!

This film can be witnessed by driven film manufacturers if they seriously want to know what blunders the manager should not create. There is inadequate opportunity for this film to see colours at box workplace.

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Thursday, December 8, 2011

Veedinthe (2011) Telugu Movie Mp3 Songs


Cast & Crew :: Vikram & Deeksha Seth
Music :: Yuvan Shankar Raja
Director :: Suseenthiran
Producer :: Prasad V Potluri
Cassettes & CD's On :: Vel Records
Ripper :: Mp3ragas.blogspot.com

Click Below To Download All Songs(320Kbps)

Click Below To Download All Songs(128Kbps)

Click Below To Download Selected Songs(128Kbps)

01 - Sound Of Vel - Audio CD Sample


02 - Manasa Paikegire - Karthik & Renuka


03 - Laddu Laddu - Vikram, Suchitra & Priyadarshini


04 - Veeradhi Veerulu - Mano,Malathi


05 - Pasivadi Padamai - Haricharan


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Tuesday, December 6, 2011

Pappu Can't Dance Saala (2011) Hindi Mp3 Songs

 Cast & Crew :: Vinay Pathak, Neha Dhupia & Naseeruddin Shah
Music :: Malhar
Director :: Saurabh Shukla
Producer :: Ravindra Singh & Sameer Nair
Cassettes & CD's On :: Saregama Records
Ripper :: Mp3ragas/blogspot.com

Click Below To Download All Songs(320Kbps)

Click Below To Download All Songs(128Kbps)

Click Below To Download Selected Songs(128Kbps)

01 - Zindagi - Mohit Chauhan & Akriti Kakkar
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02 - Saajana - Shreya Ghoshal
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03 - Abhimani Mann - Kailash Kher & Javed Ali
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04 - Lamha - Sangeet Haldipur & Shilpa Rao
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05 - Haiya Haiya - Manasi Scott
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06 - Dil-E-Nadaan - Sangeet Haldipur
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07 - Jadoo - Shilpa Rao

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Nanda Nanditha (2011) Telugu Mp3 Songs

Cast & Crew :: Sneha, Yogesh
Music :: Emil Mohd
Director :: Ram Shiva
Producer :: Chinta Srirama chandra reddy
Cassettes & CD's On :: Shivaranjani Music
Ripper :: Mp3ragas.blogspot.com

Click Below To Download All Songs(320Kbps)

Click Below To Download All Songs(128Kbps)

Click Below To Download Selected Songs(128Kbps)

01 - Jinkamaleena - Ranjith, Karthik, Emil

02 - Hrudayam - Deepu, Yaasin Anjana

03 - Anthanesoodu - Ranjith, Suchitra

04 - Salam Namasthe - Tippu, Shrik

05 - Jinkamaleena Remix - Ranjith, Karthik, Emil
 Download Links :Megaupload,Mediafire,Rapidshare

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Monday, December 5, 2011

Its My Love Story (2011) Telugu 3gp Movie


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Priyudu (2011) Telugu Movie Review

Movie: Priyudu
My Rating: 1.5/5
Banner: UK Methods Pvt Ltd
Cinematographer: Malhar Bhatt
Music: Mohan Jonah
Editing: Marthand K Venkatesh
Producer: P Uday Kiran
Story, Script & Direction: Sravan
Cast: Varun Sandesh, Preetika Rao, Swetha Basu, Vennela Kishore etc..
Release Date: 3rd Dec 2011

Review

Story

Karthik (Varun) is a pleased go fortunate guy who considers in powerful will be but not in really like. He seems that really like will prevent independence and there are more problems in self-reliance than entertainment.

On the other palm, there is Madhulatha (Preetika) who has a powerful thinking in really like and her mother and dad also take a position as example for profitable really like wedding. A pattern of activities provides Madhu near to Karthik and she drops in really like with him. In an surprising perspective, family members of Karthik and Madhu match and their men (Nasser, Kasi Viswanath) grow to be near friends. Understanding Madhu’s motives, her dad offers partnership and Karthik is found in a circumstance where he says yes. However, he chooses to get out of it and attracts Vara Prasad (Ranadheer) a truthful enthusiast of Madhu. Karthik begins exercising Prasad to woo Madhu and what happens from there types the relax of the tale.

Artists Performance:

Varun Sandesh has given his truthful try to offer his efficiency but he seems to have got found in particular design. It 's time he also specializes in placing some bodyweight.

Preetika Rao is okay. Performance prudent, she was positive but looks prudent she has smooth functions which will go against her. Working on developing the style quotient will help her for upcoming.

Ranadheer has given a effective efficiency. Though his part is underplayed, he controls to create his existence thought.

Swetha Basu came and went, Nasser was normal, Kasi Viswanath was normal, Kota was common, Vennela Kishore & Ali introduced few joy. Surekha Vani, Pragathi, Vijay Sai and others did their bit as necessary.

Highlights:

* First half
* Complex values

Drawbacks:

* Conceptual blunder
* Over idealistic characterisation of heroine, that does not occur in actual life
* Dull stop climax
* Weakened comedy
* Bad songs
* Overdose of melodrama in second half

Final Analysis:

Varun Sandesh began off well in his job but down the range he has not been choosing the right functions to confirm his adaptability. Yet again, he tries to be the pink eyed enthusiast boy with no challenging thoughts but then such elements should not corner purpose and feeling.

Of course, this could be the director’s mistake but it is also Varun’s mistake for having selected such a part.

The plan didn't have sentence and since it has defied sense and functionality, the information keeps going down as the film continues. One more claw in the go is hit due to the over pointed orgasm.

Overall, the take off for the film is on an wrong observe so not much can be estimated from it. At the box workplace, the film would need competitive advertising to press the film among the younger generation since they are the only trust for this film. 

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Sunday, December 4, 2011

Bezawada (2011) 3gp Telugu Movie


 Click Below To Download The Movie

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Sangharshana (2011) Telugu Movie Mp3 Songs

Cast & Crew :: Allari Naresh, 'Colours' Swathi & Sasikumar
Music :: Sundar C Babu
Director :: Sumathara
Producer :: K L Damodhar Prasad
Cassettes & CD's On :: Madhura Audio
Ripper :: Mp3ragas.blogspot.com

Click Below To Download All Songs(320Kbps)

Click Below To Download All Songs(128Kbps)

Click Below To Download Selected Songs(128Kbps)
 
01 - Gham Gham Ganapathy - Murali
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02 - Yevvaro Yevvaro - Shankar Mahadevan
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03 - Thodagotti Levara - Hanuman,MM Sreelekha
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04 - Yevvaro Yevarithado - Binny Krishnakumar
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05 - Yevarithado - Binny Krishnakumar
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06 - Sangharshana Theme - Instrumental

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Friday, December 2, 2011

Players (2011) Hindi Mp3 Songs



Cast & Crew :: Abhishek Bachchan, Sonam Kapoor, Bobby Deol, Bipasha Basu, Nitin Mukesh
Music :: Pritam Chakraborthy
Director :: Abbas-Mustan
Producer :: Burmawala-Pappu
Cassettes & CD's On :: T-Series Records Entertainment
Ripper ::Mp3ragas.blogspot.com

Click Below To Download All Songs(320Kbps)


Click Below To Download All Songs(128Kbps)

Click Below To Download Selected Songs(128Kbps)


01 - Jis Jagah Pe Khatam - Neeraj Shridhar, Siddharth Basrur & Mauli Dave

02 - Jhoom Jhoomta Ja - Ritu Pathak 

03 - Ho Gayi Tun - Yashita Yashpal & Bob

04 - Buddhi Do Bhagwaan (Charlie's Song) - Shruti Pathak & Url

05 - Dil Ye Bekarar Kyun Hai - Mohit Chauhan & Shreya Ghoshal

06 - Jhoom Jhoomta Hun Main - Siddharth Basrur

07 - Dil Ye Bekarar Kyun Hai (Reprise) - Nikhil D'Souza & Priyani Vani

08 - Jhoom Jhoomta Hun Main (Film Version) - Arijit Singh

09 - Jis Jagah Pe Khatam (Remix) - Neeraj Shridhar, Siddharth Basrur & Mauli Dave

10 - Dil Ye Bekarar Kyun Hai (Remix) - Mohit Chauhan & Shreya Ghoshal

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Solo (2011) Telugu Movie Review


Movie: Solo
My Rating: 3.25/5 
Banner: SVK Cinemas
Cinematographer: Dasaradhi Sivendra
Music: Mani Sharma
Editing: Marthand K Venkatesh
Producer: Vamsikrishna Srinivas
Story, Script & Direction: Parasuram
Cast: Nara Rohit, Nisha Agarwal, Prakash Raj, Sayaji Shinde etc..
Release Date: Twenty fifth Nov 2011

Review

Story 

Set on the history of Vizag, the story starts with Gautam (Rohit) an orphan whose single aim in daily normal life is to wed a young lady in a combined household as he wants for those operations and developing. He confirms a best individual by means of Vaishnavi (Nisha) who comes from a huge household.

Gautam tries wooing Vaishnavi and after few mishaps of yes and no, their really like plants. However, Vaishnavi is very carefully connected to her dad Naidu (Prakash Raj) and he wants to present his little girl to a man who knows the value of household and has a huge household.

In no time, the topic gets unveiled and Naidu creates his take a position distinct to Gautam. The story requires a convert when Gautam is requested to go to the marriage of Vaishnavi due to a situation. What is that condition? What happens to Gautam’s really like story? Will he continue to be One again? All this varieties the relax of the story.

Artists Performance:

Nara Rohit is excellent looking and has powerful experience with powerful speech. He needs to ease his shape a bit and display phrases on his experience and come out of the firm pose. But still, he included his negatives with excellent assurance and debate shipping. On a whole he fits for functions like challenging cop and measures concentrated actions than a emotional enthusiast boy. 

Nisha Agarwal looks lovely and provides most of her ideas through her experience. Performing prudent, she must work on efficiency during psychological times. She has prospective.

Prakash Raj is outstanding as common. No uncertainty he is known as the leader acting professional. His adaptability and powerful screen position contributes value to the film.

A particular discuss goes to Srinivasa Reddy. He got the big liability of major the humor trail and he did complete proper rights to that. His factor was extensive and the ability was used effectively. He warrants to be given more support and functions.

Sayaji Shinde was normal, Jayasudha was normal, Ravu Ramesh was not used to his prospective, the young lady who did Nisha’s buddy's factor obtained few aspects, M S Narayana introduced few joy, Ali was funny. Pavitra Lokesh looks beautiful. Ideal for see Mumaith Khan back and that too in appearance. The others did their bit as necessary. 

Highlights:

* Emotional intensity
* Dialogues
* Historical past report and three songs
* Screenplay
* Specialized values

Drawbacks:

* Minor fits in modifying and RR

Final Analysis:

The idea of combined family associates was best and possible during the beginning. We were not in a international economic system then and family associates used farming or household jobs. However, times have improved and daily needs have created it essentially extremely hard for thinking of a combined household in the present times. But there are scarce methods like ‘Tharaveedu’ among combined household addicts. Many family associates in Kerala still keep the custom of combined household in existence by investing their yearly trip in Tharaveedu (ancestral home) where all associates come together. But in bulk situations, the combined family associates have missing significance as people transformed more realistic. And this relates to all public sessions.

While looking at the film, this is the technique visitors will have. But then, more than the idea, it is the articles which exceeds all. It is recognized by powerful psychological information and the worry on principles of household and interactions is what results the brownie aspects.

Secondly, it is the dialogues which are published with feeling and readiness.

Few vintage situations are:

“manchi mogudu dorikite gudilo devunni kooda marchipothaaru aada vaallu”
“Poyatappudu naluguru lekapothe thappu naadhi avutundhi kaani puttinappudu naluguru lekapovadam naa thappu ela avutundhi”

Overall, this is a film that will reach a note with the household visitors and psychologically motivated bulk visitors. There are no nonproductive times and the film operates as the best program of humor, sentiment and feeling. At the box workplace, considering the funds and other aspects, the film has it all to report good results.

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Bezawada (2011) Telugu Movie Review


Movie: Bezawada
My Rating: 1.5/5 
Banner: Shreya Reveals 
Cinematographer: S K Bhupathi
Music: Amar Mohile, Pradeep Koneru, Dharam Sandeep, Vikram, Bapi Tutul
Editing: Gowthamraju
Art: Krishna Maya
Fights: Izaz Javed
Producer: Kiran Kumar Koneru, Ram Gopal Varma
Story, Script, Dialogues & Direction: Vivek Krishna
Cast: Naga Chaitanya, Amala John, Prabhu, Kota Srinivas Rao, Brahmanandam, Ajay, Anjana Sukhani, Subhalekha Sudhakar, Abhimanyu Singh, Mukul Dev, Satya Prakash, Ashok Kumar, Sraavan, Lakshmi, Rahul etc..
Release Date: 1st Dec 2011

Review

Story 

Artists Performance:

Based on the history of Vijayawada, the tale starts with Kalidas (Prabhu) a highly successful goon who is a do-gooder to community. His real and reliable guide is Vijay Krishna (Mukul Dev). But Vijay’s position gives uncertainty to the energy starving and uneven Shankar Prasad (Abhimanyu), sis of Kalidas. However, Kalidas is wiped out one day and Shankar requires over. He propagates the term that the hard was done by Vijay Krishna. Meanwhile, Vijay’s newest sis Siva (Chaitu) is a student chief who is a excellent student and also in really like with Geetanjali (Amala), the law enforcement commissioner’s little girl. The tale requires a convert when Vijay Krishna is killed and Siva chooses to get into measures to put an end to Shankar. Whether he is profitable or not varieties the relax of the tale.

Technical Departments:

Naga Chaitanya ready well for the factor and put a excellent attempt in emoting the frustration and energy. While his screen position was not that powerful in the film, he included it with beneficial gestures.

Amala John was dazzlingly wonderful. She has the appropriate normal fascination and sex lure that mesmerises the visitors. Most of the wonder is forged by her through the face.

Abhimanyu Singh was apt for the factor. He shined in few moments and revealed that dangerous looks. However, his personality was not personalized powerfully to exhibit him as a suitable bad guy.

Mukul Dev got a meaty factor and he did proper rights to it. Though the lip connect was losing due to his Hindi efficiency, Mukul used the ability correctly and obtained.

Prabhu was brief but created his position believed. Subhalekha Sudhakar was normal. Ashok Rao was apt. Ajay was excellent. Kota was successful. Ahuti Prasad was common. The humor trail between Brahmi and M S Narayana was not necessary. Phanikanth who is as Chaitu’s security guard was outstanding with his looks. The others did their bit as necessary and included value.

Highlights:

* Assault scenes
* Amala Paul

Drawbacks:

* Screenplay
* Direction
* Second half
* Weakened psychological graph

Final Analysis:

Since the design of the film is goondaism in Vijayawada, it is normal that individuals assume the film to illustrate the modern governmental heritage of Vijayawada and the real-life situations that had occurred in Vijayawada in the last. There is no discuss of these mishaps in the film.

A few moments might provide perception that Naga Chaitanya friends could be Devineni brothers; and it that were to be real, Abhimanyu Singh personality must be that of Ranga. If that is what the director’s strategy is, then he must have either no information of the governmental heritage of Vijayawada or he might have purposely altered it.

In any situation, it is better not to assess the design of the film with the heritage of Vijayawada. Otherwise, the individuals are certain to get annoyed.

Setting aside the historical previous of the film, if one were to consider only the articles piece of the film, “Bezawada” is a third rank measures film.

Except bloodshed and physical violence to attract the bulk visitors, there is definitely no sentiment in the film. The individuals do not answer even if the guide functions in the film are wiped out. At moments, one would get an perception that one was looking at a neighborhood have fun with. All the moments that guide to the loss of life of Prabhu are just man-made. Though the film reaches a little importance later, the home clearly fumbled in keeping the speed. Had he taken the real-life mishaps to develop the screen have fun with, he would have had a simple display. But, when he believed of creating a film according to a retribution excitement according to his vagaries and choices without any association with the actual lifestyle mishaps, he had missing the grasp over the screen have fun with.

The individuals could not get included anywhere in the film as they could quickly anticipate what is going to come in the next world.

When the rowdies say that Bezawada is supposed to be to them and assert that: “Beware, it is our Bezawada,” one wonder whether it is also a psychological film: individuals may think there is something known as Bezawada feeling, too, just like sis feeling and mom feeling in the videos. While the first 50 % goes on without increasing the leading man personality, the home is completely puzzled in the second 50 % as to how to increase the leading man as a leading man.

There are several moments that were intentionally designed and when there was no strategy how to take the tale ahead, the home features tune and show up series. For example, nobody knows why Naga Chaitanya guides out of the home and why he comes again. And he does not hotel to any problems or quarrels that cause damage to his household during this interregnum time. And when he that will fire at the neck of the bad guy, the film stops there. All that the leading man does after the world to convert the bad guy will only make monotony to the visitors.

In any retribution excitement, individuals should not remove themselves with the film until the leading man does what he wants. But if the leading man constantly battle with his personality, the individuals merely move out of the theater without displaying even least whim towards the personality. That itself displays that the home could not efficiently present to the visitors what he wants.

Since Bezawada is a low-budget film, creator may restore the costs accrued on it; but it is unlikely whether it would get any understanding from the visitors. May be a area of individuals who delight in bloodshed and physical violence might delight in looking at it.

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The Dirty Picture (2011) Telugu Movie Review


Movie: The Dirty Picture
My Rating: 3.5/5
Banners: Balaji Movement Images, ALT Entertainment
Cinematographer: Bobby Singh
Music: Vishal-Shekhar
Editor: Akiv Ali
Producers: Ekta Kapoor, Shobha Kapoor
Story, Piece of software, Dialogues & Direction: Milan Luthria
Cast: Vidya Balan, Naseeruddin Shah, Emraan Hashmi etc..
Release Date: 2nd Dec 2011

Review

Story

Artists Performance:

Vidya is a young lady who follows her desires and her wish is to become an celebrity. For that, she is willing to escape any standard. She also has a most popular by means of star Naseeruddin Shah. After the preliminary months of battle, she lastly controls a tiny show up stint for a tune. This drops in the eye of the famous creator Rajesh and he christens her as Cotton. Quickly, Cotton also gets a opportunity to operate with her preferred celebrity and she also becomes his bed associate for more possibilities and development. During her trip, she comes across the simple Tusshar, the skilled home Emraan who cannot stand her to the center.

However, what begins as a trip of desires, good results, enjoyment and fame for Cotton soon explains another area to it. What happens in between varieties the relax of the tale.

Technical Departments:

Vidya Balan is fantastic. Right from the traditional young lady to a sex blast to a lady who sheds it all, she has found her adaptability to the best and provides the film extremely well.

Naseeruddin Shah must be saluted. Despite his actual lifestyle fame and well-known position, he merely combined into the script and offered room. His efficiency was merely fantastic.

Emraan Hashmi is not a celebrity just like that. There is an unusual wonder about him that creates the visitors stuck to the screen when he is there. He was fantastic in his factor.

Tusshar Kapoor was successful and he does complete proper rights to his bit. Rajesh Sharma was fantastic, Anju Mahendroo was apt, Imran Hasnee was nice, Mangal Kenkre was average. The others did their bit as necessary and included value.

Highlights:

* Vidya Balan & Naseeruddin Shah’s performances
* Dialogues
* Cinematography
* Screenplay
* Historical past report and two songs

Drawbacks:

* Minor get during second half
* Low psychological present in few scenes

Final Analysis:

Though it is a Hindi film, the truth that it has been powerfully influenced from the daily lifetime of Cotton Smitha creates it an interesting item for the southern visitors. The named version’s generate is a fantastic usefulness. The home guaranteed that the film moves with simple accurate and no disputes can be increased. The actual lifestyle for the film comes from the dialogues.

Equally fantastic are few moments where the mountains are at their best. Of course, with the type of skilled forged the home has got, this was estimated. The moments to look out for are

When Vidya Balan gets an prize and covers the crowd with her thank you speech
When Emraan Hashmi shares to Vidya about his thoughts and how they connect with her
When Naseeruddin Shah’s spouse guides in while he is sex to Vidya

Overall, this is a film which has a powerful serving of actuality and a information to the many driven women who are enthusiastic about fame. In the actual world, Cotton Smitha was as an example for wonder and the other area of it. This is provided in the right program through the film. Given the funds included and the articles, there is no uncertainty that the film will become a professional hit. 

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Thursday, December 1, 2011

Roudram (2011) Telugu Movie Mp3 Songs




Cast & Crew :: Jeeva & Shreya Sharan
Music :: Prakash Nikki
Director :: Gokul
Producer :: C.J.Shobha
Cassettes & CD's On :: Aditya Music
Ripper :: Mp3ragas.blogspot.com

Click Below To Download All Songs(320Kbps)

Click Below To Download All Songs(128Kbps)


Click Below To Download Selected Songs(128Kbps)

01 - Sahasinche Oh Manasa - Palakkad Sri Ram

02 - Merise Nee Kannulu - Udit Narayan, Shwetha Mohan

03 - Materani Mounam - Ranina Reddy

04 - Goli Maaro - Vallavan

05 - Saradaga Choopultho - Haricharan

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Saturday, November 26, 2011

Rajanna (2011) Telugu Movie Mp3 Songs



Cast & Crew :: Nagarjuna & Sneha
Music :: M.M Keeravani
Director :: V Vijeyendra Prasad
Producer :: Akkineni Nagarjuna
Cassettes & CD's On :: Vel Records
Ripper :: Mp3ragas.blogspot.com

Click Below To Download All Songs(320Kbps)

Click Below To Download All Songs(128Kbps)

Click Below To Download Selected Songs(128Kbps)

01 - Sound Of Vel - AD

02 - Gjijigadu - Sanjeev Chimmalgi, Kaala Bhairava

03 - Raa Ree Ro Rela - Madhumita, Revanth, Shravana Bhargavi, K Sahiti, Amrithavarshini, B. Ramya

04 - Karakuraathi Gundello - MM. Keeravani, Kailash Kher

05 - Lachuvamma Lachuvamma - Deepu, Shravana Bhargavi

06 - Chittiguvva - Shivani, Venu, Sanjeev Chaimmalgi, Ramya

07 - Okka Kshanam - Balaji, Deepu, Revanth, Rahul, Pridhvichandra

08 - Goodu chediri koila - Mettapalli Surender, Chaitra

09 - Kaaligajje - Mettapalli Surender, Chaitra

10 - Vey, Vey - Revanth

11 - Dorasaani Koradaa - Amrithavarshini

12 - Melukove Chittitalli - Sudarshini

13 - Amma Avanee - Malavika 

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Thursday, November 24, 2011

Journey (2011) Telugu Movie Mp3 Songs



Cast & Crew :: Sharwanand, Jai, Anjali & Ananya
Music :: Satya
Director :: Saravanan
Producer :: A.R Murugadoss
Cassettes & CD's On :: Aditya Music
Ripper :: Mp3ragas.blogspot.com

Click Below To Download All Songs(320Kbps)
Download Links :Megaupload,Mediaifre


Click Below To Download All Songs(128Kbps)
Download Links :Megaupload,Mediaifre

Click Below To Download Selected Songs(128Kbps)

01 - Govinda - Tippu, Ranina, Boni
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02 - Chitti Chitti - Satya, Harini
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03 - Meghama - Karthik
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04 - Neepere Theliyaduga - Anuradha Sriram
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05 - Katha Mugisele - Sayanora
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Sunday, November 20, 2011

Saturday, November 19, 2011

Friday, November 11, 2011

Oh My Friend (2011) Telugu Movie Review


Movie: Oh My Friend
My Rating: 3.5/5
Banner: Sree Venkateshwara Creations
Cinematographer: Vijay K Chakravarthy
Music: Rahul Raj
Producer: Dil Raju
BGM: Manisharma
Story,Screenplay & Direction: Vijay K Chakravarthy
Cast: Siddharth, Shruthi Haasan, Hansika, Navadeep, Tanikella Bharani. Ali, Raghu Babu, Sana etc..
Release Date: Eleventh Nov 2011

Review

Story 

Chandu (Sidz) and Siri (Shruti) are associates from youth and they are very shut associates. While Siri is a much designed fresh lady with understanding of imagined, Chandu is not considering research as he wants to become a stone celebrity. This does not go well with Chandu’s dad (Bharani) but he requires it in his pace.

The tale requires a convert when Chandu comes across Ritu (Hansika) and drops in really like with her. Quickly, he is able to to win her center. Meanwhile, Siri gets engaged to Uday (Navadeep).

The tale requires a convert when the shut developing between Chandu-Siri starts to cause trouble to their particular associates. However, the folks experience both Chandu and Siri are actually in really like but they never recognize it. Is it really love? Or just shut friendship? How the tale of their day-to-day lives requires a convert varieties the substance.

Artists Performance: 

Siddarth is used to doing such functions but in this film, he is estimated to look fresh so he did his best for that. His operation was normal and obtained brownie items in the orgasm psychological world.

Shruti Haasan never got such a awesome figure in her job. A easy fresh lady who is prepared to do anything for her companion, she draws in with her operation. The performing professional in her is seen through this film.

Navadeep is seen with few pigments of ‘Arya 2’ figure. Even his performing was great.

The lowest weblink in the forged is Hansika. She has put oodles of bodyweight and dropped her lovely beauty, it may have been better if a new experience was there in her position.

Tanikella Bharani was outstanding, Ali’s humor was okay, Raghu Babu came and went, Sana was normal. The others do not have much opportunity.

Highlights:

* Audio songs
* Cinematography
* Siddarth- Shruti performance

Drawbacks:

* One perspective story
* Insufficient comedy

Final Analysis:

Dil Raju’s shows are known for specialized principles so even this film is full of that. Energetic colors, feelings images etc develop their symbol. But the actual lifestyle for the film is the popular music and music.

The dialogues are wrote by home and they have been great at locations. While he managed all section well, he could not do the same in program.

But he was great at getting the right feelings at vital times properly. Any film of Dil Raju even if it is a hit overlooks on element clearly, that is amusement.

Due to the one element story, opportunity of amusement was not aimed. Even though Ali was there, that do not deliver the results much. As common, the film covers the challenge encountered by youngsters but at the end, the psychological experience is more than the amusement experience.

Due to this, one can be expecting combined tendencies based on each individual's private ordeals. If only the amusement value was included, the film would have been a sure chance cure. Maybe Dil Raju has to develop use of the article generate press for that.

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