Movie: Bezawada
My Rating: 1.5/5
Banner: Shreya Reveals
Cinematographer: S K Bhupathi
Music: Amar Mohile, Pradeep Koneru, Dharam Sandeep, Vikram, Bapi Tutul
Editing: Gowthamraju
Art: Krishna Maya
Fights: Izaz Javed
Producer: Kiran Kumar Koneru, Ram Gopal Varma
Story, Script, Dialogues & Direction: Vivek Krishna
Cast: Naga Chaitanya, Amala John, Prabhu, Kota Srinivas Rao, Brahmanandam, Ajay, Anjana Sukhani, Subhalekha Sudhakar, Abhimanyu Singh, Mukul Dev, Satya Prakash, Ashok Kumar, Sraavan, Lakshmi, Rahul etc..
Release Date: 1st Dec 2011
Review
Story
Artists Performance:
Based on the history of Vijayawada, the tale starts with Kalidas (Prabhu) a highly successful goon who is a do-gooder to community. His real and reliable guide is Vijay Krishna (Mukul Dev). But Vijay’s position gives uncertainty to the energy starving and uneven Shankar Prasad (Abhimanyu), sis of Kalidas. However, Kalidas is wiped out one day and Shankar requires over. He propagates the term that the hard was done by Vijay Krishna. Meanwhile, Vijay’s newest sis Siva (Chaitu) is a student chief who is a excellent student and also in really like with Geetanjali (Amala), the law enforcement commissioner’s little girl. The tale requires a convert when Vijay Krishna is killed and Siva chooses to get into measures to put an end to Shankar. Whether he is profitable or not varieties the relax of the tale.
Technical Departments:
Naga Chaitanya ready well for the factor and put a excellent attempt in emoting the frustration and energy. While his screen position was not that powerful in the film, he included it with beneficial gestures.
Amala John was dazzlingly wonderful. She has the appropriate normal fascination and sex lure that mesmerises the visitors. Most of the wonder is forged by her through the face.
Abhimanyu Singh was apt for the factor. He shined in few moments and revealed that dangerous looks. However, his personality was not personalized powerfully to exhibit him as a suitable bad guy.
Mukul Dev got a meaty factor and he did proper rights to it. Though the lip connect was losing due to his Hindi efficiency, Mukul used the ability correctly and obtained.
Prabhu was brief but created his position believed. Subhalekha Sudhakar was normal. Ashok Rao was apt. Ajay was excellent. Kota was successful. Ahuti Prasad was common. The humor trail between Brahmi and M S Narayana was not necessary. Phanikanth who is as Chaitu’s security guard was outstanding with his looks. The others did their bit as necessary and included value.
Highlights:
* Assault scenes
* Amala Paul
Drawbacks:
* Screenplay
* Direction
* Second half
* Weakened psychological graph
Final Analysis:
Since the design of the film is goondaism in Vijayawada, it is normal that individuals assume the film to illustrate the modern governmental heritage of Vijayawada and the real-life situations that had occurred in Vijayawada in the last. There is no discuss of these mishaps in the film.
A few moments might provide perception that Naga Chaitanya friends could be Devineni brothers; and it that were to be real, Abhimanyu Singh personality must be that of Ranga. If that is what the director’s strategy is, then he must have either no information of the governmental heritage of Vijayawada or he might have purposely altered it.
In any situation, it is better not to assess the design of the film with the heritage of Vijayawada. Otherwise, the individuals are certain to get annoyed.
Setting aside the historical previous of the film, if one were to consider only the articles piece of the film, “Bezawada” is a third rank measures film.
Except bloodshed and physical violence to attract the bulk visitors, there is definitely no sentiment in the film. The individuals do not answer even if the guide functions in the film are wiped out. At moments, one would get an perception that one was looking at a neighborhood have fun with. All the moments that guide to the loss of life of Prabhu are just man-made. Though the film reaches a little importance later, the home clearly fumbled in keeping the speed. Had he taken the real-life mishaps to develop the screen have fun with, he would have had a simple display. But, when he believed of creating a film according to a retribution excitement according to his vagaries and choices without any association with the actual lifestyle mishaps, he had missing the grasp over the screen have fun with.
The individuals could not get included anywhere in the film as they could quickly anticipate what is going to come in the next world.
When the rowdies say that Bezawada is supposed to be to them and assert that: “Beware, it is our Bezawada,” one wonder whether it is also a psychological film: individuals may think there is something known as Bezawada feeling, too, just like sis feeling and mom feeling in the videos. While the first 50 % goes on without increasing the leading man personality, the home is completely puzzled in the second 50 % as to how to increase the leading man as a leading man.
There are several moments that were intentionally designed and when there was no strategy how to take the tale ahead, the home features tune and show up series. For example, nobody knows why Naga Chaitanya guides out of the home and why he comes again. And he does not hotel to any problems or quarrels that cause damage to his household during this interregnum time. And when he that will fire at the neck of the bad guy, the film stops there. All that the leading man does after the world to convert the bad guy will only make monotony to the visitors.
In any retribution excitement, individuals should not remove themselves with the film until the leading man does what he wants. But if the leading man constantly battle with his personality, the individuals merely move out of the theater without displaying even least whim towards the personality. That itself displays that the home could not efficiently present to the visitors what he wants.
Since Bezawada is a low-budget film, creator may restore the costs accrued on it; but it is unlikely whether it would get any understanding from the visitors. May be a area of individuals who delight in bloodshed and physical violence might delight in looking at it.
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