Rating: 2.5/5
Banner: SVK Cinemas
Cast: Allari Naresh, Sharwanand, Shriya, Ali, Brahmanandam, Kovai Sarala, Vimala Raman, Pruthvi, Srinivas Reddy and others
Music: Bheems
Cinematographer: Dasaradhi Sivendra
Editor: Marthand K Venkatesh
Screenplay, direction: Narayana
Producer: Vamsikrishna Srinivas
Release date: 16/03/2012
The combination of Allari Naresh and Sharwa was seen in the really recommended ‘Gamyam’ but now they are joining up for a Rom-com. Moreover, they have Shriya in between them. Let us see how the film is.
Story
A pickpocket and chain snatcher (Allari Naresh) gives insomnia to many in Amalapuram. He has got his accomplice Chanti (Ali) who allows him. However, they get found and the examiner hits a cope with them to grab financial institution cash. Both of them recognize, grab the cash but dump the examiner and come to Hyderabad.
Here, the pickpocket recognizes Nandini (Shriya) a physician and comes in really like with her. He controls a scenario and gets presented to Nandini as Avinash. However, Nandini has a individual Anand (Sharwa) who has Fear. However, the therapy of Nandini performs and he becomes excellent. In this procedure, he also comes in really like with Nandini.
The tale requires a convert when both Avinash and Anand recognize they are in really like with the same lady and choose to outbeat each other to win her really like. Whether they are efficient or not types the relax of the tale.
Performances
Allari Naresh has given his frequent efficiency but it must be said that he has underplayed his existence to a large. But he guaranteed that provided that he was on-screen, the strength was managed.
Sharwanand has come up with a different efficiency. His aspect as the individual of paranoia was excellent. The later aspect was frequent and he did his bit as necessary.
Shriya looks ok and wows in flow and music. But she looks very thin. Unless she places on some cheekbones and some weight in her body, her charm cannot come again to unique.
Brahmanandam introduced happiness wherever necessary. Though he do not have much with regards to dialogues, he did what was predicted of him and did the law to the aspect.
Kovai Sarala was shrill delivered as frequent, Ali was incredible, Srinivas Reddy was excellent, Vimala Raman scorched the displays in one tune, Pruthvi was efficient.
Highlights
Cause cast
Drawbacks
Script
Music
Vulnerable direction
Analysis
Usually the viewers does not anticipate excellent testimonies in funny pictures so even if scenario is foreseen and easy it is okay. But to be able to complete that gap, the amusement quotient must be in great serving. It should be able to create the viewers have fun from begin to end.
Directors who perform with Allari Naresh usually concentrate on offering some huge funny even if it does not attract the category viewers. That is why most of his films drop in secure location. Creating him talk consistently and arriving up with undesirable funny series, the authors use his existence and ranking achievements. But this film does not have a funny that can attract any category of viewers. Whatever funny is there has been seen already. So, most of it is forcible fun but not organic.
Like an old funny sequential in Doordarshan which comes regularly, the ‘sense of humour’ of viewers is examined. Those who look for sensible funny might as well delay for the DVD to appear or can desire any other film of Allari Naresh.
Bottomline: Torturous comedy
Banner: SVK Cinemas
Cast: Allari Naresh, Sharwanand, Shriya, Ali, Brahmanandam, Kovai Sarala, Vimala Raman, Pruthvi, Srinivas Reddy and others
Music: Bheems
Cinematographer: Dasaradhi Sivendra
Editor: Marthand K Venkatesh
Screenplay, direction: Narayana
Producer: Vamsikrishna Srinivas
Release date: 16/03/2012
The combination of Allari Naresh and Sharwa was seen in the really recommended ‘Gamyam’ but now they are joining up for a Rom-com. Moreover, they have Shriya in between them. Let us see how the film is.
Story
A pickpocket and chain snatcher (Allari Naresh) gives insomnia to many in Amalapuram. He has got his accomplice Chanti (Ali) who allows him. However, they get found and the examiner hits a cope with them to grab financial institution cash. Both of them recognize, grab the cash but dump the examiner and come to Hyderabad.
Here, the pickpocket recognizes Nandini (Shriya) a physician and comes in really like with her. He controls a scenario and gets presented to Nandini as Avinash. However, Nandini has a individual Anand (Sharwa) who has Fear. However, the therapy of Nandini performs and he becomes excellent. In this procedure, he also comes in really like with Nandini.
The tale requires a convert when both Avinash and Anand recognize they are in really like with the same lady and choose to outbeat each other to win her really like. Whether they are efficient or not types the relax of the tale.
Performances
Allari Naresh has given his frequent efficiency but it must be said that he has underplayed his existence to a large. But he guaranteed that provided that he was on-screen, the strength was managed.
Sharwanand has come up with a different efficiency. His aspect as the individual of paranoia was excellent. The later aspect was frequent and he did his bit as necessary.
Shriya looks ok and wows in flow and music. But she looks very thin. Unless she places on some cheekbones and some weight in her body, her charm cannot come again to unique.
Brahmanandam introduced happiness wherever necessary. Though he do not have much with regards to dialogues, he did what was predicted of him and did the law to the aspect.
Kovai Sarala was shrill delivered as frequent, Ali was incredible, Srinivas Reddy was excellent, Vimala Raman scorched the displays in one tune, Pruthvi was efficient.
Highlights
Cause cast
Drawbacks
Script
Music
Vulnerable direction
Analysis
Usually the viewers does not anticipate excellent testimonies in funny pictures so even if scenario is foreseen and easy it is okay. But to be able to complete that gap, the amusement quotient must be in great serving. It should be able to create the viewers have fun from begin to end.
Directors who perform with Allari Naresh usually concentrate on offering some huge funny even if it does not attract the category viewers. That is why most of his films drop in secure location. Creating him talk consistently and arriving up with undesirable funny series, the authors use his existence and ranking achievements. But this film does not have a funny that can attract any category of viewers. Whatever funny is there has been seen already. So, most of it is forcible fun but not organic.
Like an old funny sequential in Doordarshan which comes regularly, the ‘sense of humour’ of viewers is examined. Those who look for sensible funny might as well delay for the DVD to appear or can desire any other film of Allari Naresh.
Bottomline: Torturous comedy
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