Film: Racha
Rating: 2.75/5
Banner: Huge Supergood Films
Cast: Ram Charan Tej, Tamannah, Mukesh Rishi and others
Music: Mani Sharma
Cinematographer: Sameer Reddy
Editing: Gautham Raju
Story, script, direction: Sampath Nandi
Producers: N V Prasad, Paras Jain
Release date: 05/03/2012
Ram Charan Tej is returning after a brief break and he has taken a chance of types by joining up with a flourishing manager like Sampath Nandi. Let us see how this has proved helpful.
Story
Betting Raj (Charan) comes from a slum and real to his name, he is known for successful wagers. But all the cash got from there is used for a excellent cause. But the fact is, he happens to be the son of Suryanarayana (Parthiepan) a big man of Rayapuram town who is murdered along with his household. Raj destinations by opportunity and is raised by another several (MS Narayana, Sudharani).
The tale requires a convert when his guard experiences a heartstroke and 20 lakhs is necessary for function. In comes Wayne (Ajmal) who keeps dropping wagers with Raj. He is willing to provide the cash but the bet is Raj should woo and create Chaitra (Tamannah) say ‘I Really like You’ in 1 month. But Chaitra is the girl of the infamous and highly effective Bellary (Mukesh Rishi).
So what happens to the romance obstacle of Raj? What is his relationship with Chaitra? Who is Bellary? All this types the relax of the tale.
Performances
Ram Charan has designed a highly effective display existence and he has put complete initiatives. If only his depiction was highly effective he would have given a energy loaded effect. But his lovers would be satisfied with this.
Tamannah provided the necessary visible food in songs and her charm quotient has been on a very great. There was not much opportunity for efficiency now but her display time is excellent.
Mukesh Rishi was apt for the aspect. His individuality is still complete and he seems to look the same right from plenty of duration of ‘Indra’. It's great time Mukesh begins using his own speech for dubbing.
Parthiepan and Ajmal were not necessary given their tasks. But since the film is launching in Tamil the creators seem to have taken them for nativity objective.
Brahmanandam, Srinivas Reddy, Tagubothu Ramesh, Ali were there for the funny scenarios but it was not that attractive. Kota was frequent. M S Narayana was serious now. Paruchuri Venkateswara Rao was brief. Dev Gill was okay. The others just didn't have much to provide.
Highlights
Charan’s efficiency and Tamannah’s glamour
Picturization of songs
Generation values
Professional elements
Drawbacks
Aged storyline
Normal script
Over dose dialogues of rewarding Huge family
Schedule formula
No holding moments
Analysis
Watching the film never creates you think you are viewing a big admission project featuring a big idol. It is a tale which matches even a B-grade idol.
Given the celebrity picture of Charan and the objectives on him and the film, the tale was limited to be highly effective with a highly effective level and holding creativities but it is not so. Though the name appears to be highly effective, it is a routine system range with no difference. You have the frequent 50 percent number of battles, 50 percent number of songs, itsy bitsy funny scenarios, one feeling which is 50 percent prepared, a apparently enchanting monitor which was designed only to rationalize the use of heroine.
On a whole manager Sampath Nandi created a actual try to enlighten Ram Charan and his household with this film but not devoted to his tale or know-how.
Comedy by Ali introduced some fun but that never maintain with more scenarios. Same is the situation with Brahmanandam show and Krishna Bhagawan’s aspect.
While all that is one aspect, the dialogues kind a essential element for these tasks. But here again, Paruchuri Siblings finished up dropping the ink with ‘Self-Dabba’ collections and rubbing the Nandamuri group. Here are few examples:
“Otami bet ento teliyani Genetics naadhi” - This will immediate the mega lovers to remember Chiranjeevi’s beat at Palakollu, disconnecting from the film for sometime.
“Edho Chuskuni Thodalu Kotte kind kaaduraa nenu” –
Listening to the discussion, the viewers began talking about, “The referrals to this needs no description. Well, it’s like a retort for Balakrishna’s discussion in Simha mentioning ‘buradha vamsham’”. Which is how dialogues applied incorrect aspect often.
Given their encounter, this is not the excellent of dialogues predicted. However, it is very organic that the Nandamuri lovers will come to look at the film to examine its bodyweight. But due to dialogues like these, it would cause to adverse advertising and viewers amount will come down.
The manager was cautious not to research and went thoughtlessly following an industrial system. That has affected the durability of the program. The principles are of top excellent but it is definitely not related the picture of Charan or has that swiftness to provide a conquer to the public.
At the box workplace, this will be a cure to the serious lovers of mega household and it could clean through as reasonable grosser but hit is decided out.
Rating: 2.75/5
Banner: Huge Supergood Films
Cast: Ram Charan Tej, Tamannah, Mukesh Rishi and others
Music: Mani Sharma
Cinematographer: Sameer Reddy
Editing: Gautham Raju
Story, script, direction: Sampath Nandi
Producers: N V Prasad, Paras Jain
Release date: 05/03/2012
Ram Charan Tej is returning after a brief break and he has taken a chance of types by joining up with a flourishing manager like Sampath Nandi. Let us see how this has proved helpful.
Story
Betting Raj (Charan) comes from a slum and real to his name, he is known for successful wagers. But all the cash got from there is used for a excellent cause. But the fact is, he happens to be the son of Suryanarayana (Parthiepan) a big man of Rayapuram town who is murdered along with his household. Raj destinations by opportunity and is raised by another several (MS Narayana, Sudharani).
The tale requires a convert when his guard experiences a heartstroke and 20 lakhs is necessary for function. In comes Wayne (Ajmal) who keeps dropping wagers with Raj. He is willing to provide the cash but the bet is Raj should woo and create Chaitra (Tamannah) say ‘I Really like You’ in 1 month. But Chaitra is the girl of the infamous and highly effective Bellary (Mukesh Rishi).
So what happens to the romance obstacle of Raj? What is his relationship with Chaitra? Who is Bellary? All this types the relax of the tale.
Performances
Ram Charan has designed a highly effective display existence and he has put complete initiatives. If only his depiction was highly effective he would have given a energy loaded effect. But his lovers would be satisfied with this.
Tamannah provided the necessary visible food in songs and her charm quotient has been on a very great. There was not much opportunity for efficiency now but her display time is excellent.
Mukesh Rishi was apt for the aspect. His individuality is still complete and he seems to look the same right from plenty of duration of ‘Indra’. It's great time Mukesh begins using his own speech for dubbing.
Parthiepan and Ajmal were not necessary given their tasks. But since the film is launching in Tamil the creators seem to have taken them for nativity objective.
Brahmanandam, Srinivas Reddy, Tagubothu Ramesh, Ali were there for the funny scenarios but it was not that attractive. Kota was frequent. M S Narayana was serious now. Paruchuri Venkateswara Rao was brief. Dev Gill was okay. The others just didn't have much to provide.
Highlights
Charan’s efficiency and Tamannah’s glamour
Picturization of songs
Generation values
Professional elements
Drawbacks
Aged storyline
Normal script
Over dose dialogues of rewarding Huge family
Schedule formula
No holding moments
Analysis
Watching the film never creates you think you are viewing a big admission project featuring a big idol. It is a tale which matches even a B-grade idol.
Given the celebrity picture of Charan and the objectives on him and the film, the tale was limited to be highly effective with a highly effective level and holding creativities but it is not so. Though the name appears to be highly effective, it is a routine system range with no difference. You have the frequent 50 percent number of battles, 50 percent number of songs, itsy bitsy funny scenarios, one feeling which is 50 percent prepared, a apparently enchanting monitor which was designed only to rationalize the use of heroine.
On a whole manager Sampath Nandi created a actual try to enlighten Ram Charan and his household with this film but not devoted to his tale or know-how.
Comedy by Ali introduced some fun but that never maintain with more scenarios. Same is the situation with Brahmanandam show and Krishna Bhagawan’s aspect.
While all that is one aspect, the dialogues kind a essential element for these tasks. But here again, Paruchuri Siblings finished up dropping the ink with ‘Self-Dabba’ collections and rubbing the Nandamuri group. Here are few examples:
“Otami bet ento teliyani Genetics naadhi” - This will immediate the mega lovers to remember Chiranjeevi’s beat at Palakollu, disconnecting from the film for sometime.
“Edho Chuskuni Thodalu Kotte kind kaaduraa nenu” –
Listening to the discussion, the viewers began talking about, “The referrals to this needs no description. Well, it’s like a retort for Balakrishna’s discussion in Simha mentioning ‘buradha vamsham’”. Which is how dialogues applied incorrect aspect often.
Given their encounter, this is not the excellent of dialogues predicted. However, it is very organic that the Nandamuri lovers will come to look at the film to examine its bodyweight. But due to dialogues like these, it would cause to adverse advertising and viewers amount will come down.
The manager was cautious not to research and went thoughtlessly following an industrial system. That has affected the durability of the program. The principles are of top excellent but it is definitely not related the picture of Charan or has that swiftness to provide a conquer to the public.
At the box workplace, this will be a cure to the serious lovers of mega household and it could clean through as reasonable grosser but hit is decided out.
